Saturday, May 22, 2010

Sean Connery

Oriana Fallaci: So then, Sean, let’s finish with a little test: the names of three men & three women whom you admire, for whom you feel respect & envy.  Sean Connery: The first is Khrushchev. That sense of humor of his, that appetite for living, that non-conformism. Great man. The second is Stanley Matthews, the soccer player. He’s 51, and still plays soccer. I’d like to be him. The third is Picasso: to me he has the same virtues as Khrushchev.  As for women…let’s see…women…let’s see…odd: you know, I can’t think of a single one? Yet I like them a lot, I respect them, I esteem them, I often find them superior to men. I’m one of those who still find women devilishly attractive, irreplaceable…well, that must be why. I mean that, whenever I see a woman, I can never get away from the sex element. The liking and even the admiration, even the respect, I feel for a woman always has sexual origins. A character like me, who loves life, appetite, and strength, can’t get away from sexual desires. And so, when he stops to assess a woman, he can never make out where that thing finishes and pure admiration begins. Do you see what I mean? Khrushchev doesn’t provoke any sexual desires in me, nor does Matthews, nor does Picasso. With them there isn’t that alarming little complication. Alarming. Isn’t it?  Fallaci: Eh, yes. Alarming.  Connery: In fact, I find women very alarming, very worrying. Always. And picking out one I admire and nothing else…let’s see…yes: Greta Garbo. For her talent, her dignity, her silence. And yet, no, even in her case I can’t get away from the fact that if I’d ever been close to her…well…in short…I’d have been very attracted to her, apart from her talent, her dignity, her silence. So, after all, the choice doesn’t stand. Phew! Tell you what we’ll do: we’ll forget about the women for a moment and take the names of two more men. One is Hitchcock and the other is Noel Coward. And now let’s go and have a beer.  -Paris magazine, March, 1965

Oriana Fallaci: So then, Sean, let’s finish with a little test: the names of three men & three women whom you admire, for whom you feel respect & envy.

Sean Connery: The first is Khrushchev. That sense of humor of his, that appetite for living, that non-conformism. Great man. The second is Stanley Matthews, the soccer player. He’s 51, and still plays soccer. I’d like to be him. The third is Picasso: to me he has the same virtues as Khrushchev.

As for women…let’s see…women…let’s see…odd: you know, I can’t think of a single one? Yet I like them a lot, I respect them, I esteem them, I often find them superior to men. I’m one of those who still find women devilishly attractive, irreplaceable…well, that must be why. I mean that, whenever I see a woman, I can never get away from the sex element. The liking and even the admiration, even the respect, I feel for a woman always has sexual origins. A character like me, who loves life, appetite, and strength, can’t get away from sexual desires. And so, when he stops to assess a woman, he can never make out where that thing finishes and pure admiration begins. Do you see what I mean? Khrushchev doesn’t provoke any sexual desires in me, nor does Matthews, nor does Picasso. With them there isn’t that alarming little complication. Alarming. Isn’t it?

Fallaci: Eh, yes. Alarming.

Connery: In fact, I find women very alarming, very worrying. Always. And picking out one I admire and nothing else…let’s see…yes: Greta Garbo. For her talent, her dignity, her silence. And yet, no, even in her case I can’t get away from the fact that if I’d ever been close to her…well…in short…I’d have been very attracted to her, apart from her talent, her dignity, her silence. So, after all, the choice doesn’t stand. Phew! Tell you what we’ll do: we’ll forget about the women for a moment and take the names of two more men. One is Hitchcock and the other is Noel Coward. And now let’s go and have a beer.

-Paris magazine, March, 1965

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